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SYS.STAGE_DIAGNOSTICS // ONLINE
DEPOT: BROOKLYN NAVY YARD BAY 12
HARDWARE & SOUNDSTAGE SPECS // STUDIO 01 & 02

Our Studio Facilities & In-House Cinema Inventory.

We own and maintain top-tier camera, optical, lighting, and grip systems to guarantee flawless image fidelity without third-party rental bottlenecks.

IN-HOUSE QC: 100% SENSOR MAPPED
BOLT ROBOTICS INTEGRATED
ARRI & RED CERTIFIED DECK
01 // PRODUCTION HABITATS

Acoustic Stages & Finishing Suites

STC 55 RATED DOLBY CERTIFIED
STAGE 01 5,200 SQ FT
POWER: 600A 3-PHASE CAMLOCK

Soundstage A (Main Cyclorama)

24 FT GRID HEIGHT

Engineered for full-scale broadcast commercial shoots, automotive showcases, and high-framerate visual effects. Two-wall seamless infinite white cyclorama with integrated pre-rigged chroma green curtain tracks.

ACOUSTICS STC 55 Rated
VEHICLE ACCESS Drive-In Ramp
AIR SYSTEM Silent HVAC 5-Ton
SUPPORT Wardrobe & Green Rm
STAGE 02 2,400 SQ FT
ROBOTICS READY

Soundstage B (Macro & Tabletop)

BOLT RIG DECK

Specialized micro-environment optimized for phantom high-speed cinematography, beverage splashes, cosmetic textures, and repeatable robotic camera choreography with on-site styling prep.

SPECIALTY Bolt High-Speed Arm
FACILITIES Full Commercial Kitchen
LIGHT LOCK Dedicated Darkroom
RIGGING Overhead Speedrail Grid
POST & FINISHING LAB

Reference Color Grading & Dolby Atmos Suite

Calibrated critical viewing environment featuring a DCI 4K HDR Reference Barco Projector, Flanders Scientific OLED mastering displays, and a 7.1.4 Dolby Atmos spatial surround monitoring system.

PROJECTION 4K HDR DCI Barco Laser 6P
ACOUSTICS 7.1.4 Atmos Genelec SAM Array
MASTERING XMP310 OLED Flanders Scientific
02 // ARSENAL TELEMETRY

Detailed Equipment Inventory

Production-ready camera packages, anamorphic lenses, motion control, and lighting fixtures.

A-CAM // FLAGSHIP

ARRI ALEXA 35

Super 35 4K 120FPS // REVEAL COLOR

Industry reference 17 stops dynamic range, native 4K Super 35 sensor, ARRI Textures processing, and direct ARRIRAW capture.

DYNAMIC RANGE: 17 STOPS
MAX FRAMERATE: 120 FPS 4K RAW
COLOR SCI: REVEAL COLOR
B-CAM // LARGE FORMAT

RED V-RAPTOR XL 8K VV

Full-Frame VistaVision 8K 120FPS

Multi-format 8K multi-aspect sensor with built-in electronic ND filters, comprehensive studio I/O, and extreme REDCODE RAW flexibility.

SENSOR: 8K 35.4MP VV
MAX CODEC: REDCODE RAW 16-BIT
INTERNAL ND: 2 TO 7 STOPS
SPECIALTY // HIGH-SPEED

Phantom Flex4K

1000 FPS 4K // 2000 FPS 2K

Ultra-high speed digital camera for hypnotic liquid simulation, cosmetic explodes, bullet-time sports, and mechanical action.

4K SPEED: 1,000 FPS RAW
RAM BUFFER: 128 GB ON-BOARD
TRIGGER: SYNC TIME PULSE
DOCUMENTARY // CRASH CAM

Sony FX9 & FX3 Pairs

Full-Frame Dual Base ISO

Compact cinema bodies paired with fast cine-primes for fast-paced documentary shoots, vehicle rigs, gimbal chases, and behind-the-scenes.

AUTOFOCUS: FAST HYBRID AF
DUAL BASE: ISO 800 / 12,800
MOUNT: E-MOUNT / PL ADAPT
ANAMORPHIC // 1.8X

Cooke Anamorphic /i FF+

Set of 7 Primes (32mm to 135mm)

The legendary "Cooke Look" in full-frame widescreen. Organic skin tones, creamy oval bokeh, subtle horizontal flare, and /i lens metadata telemetry.

FOCAL RANGE: 32, 40, 50, 75, 85, 100, 135
SQUEEZE RATIO: 1.8X ANAMORPHIC
TELEMETRY: /i TECHNOLOGY
SPHERICAL // T1.8

ARRI Signature Primes

18mm, 25mm, 35mm, 58mm, 85mm, 125mm

Next-generation optical precision with warm skin tones, gentle fall-off, and rear magnetic net holder for custom vintage flare filtration.

APERTURE: T1.8 CONSTANT
MOUNT: LPL MOUNT W/ LDS-2
BARREL: MAGNESIUM HOUSING
VINTAGE REVOICED

Tribe7 Blackwing7

T-Tuned Uncoated Optical Core

Specially tuned by Neil Fanthom with expressive chromatic aberration, distinctive halation, and dramatic rainbow lens flares for music videos and avant-garde commercials.

TUNING: T-STOP TRANSIENT
COATING: PARTIAL UNCOATED
CHARACTER: CINEMATIC GLOW
MACRO // SUBMERSIBLE

Laowa 24mm T14 2X Periprobe

90° Periscope Macro Snorkel

Unique tubular probe lens with 360-degree rotation clutch, built-in ring LED light, and waterproof front barrel for microscopic perspectives.

MAGNIFICATION: 2:1 MACRO
BARREL: WATERPROOF TO 20CM
ROTATION: 360° MECHANISM
ROBOTICS // MRMC

Bolt Cinebot Robotic Arm

High-Speed Motion Control Rig

Millimeter-precision 6-axis camera movements reaching top speeds in milliseconds. Full Flair software integration for live 3D CGI tracking sync.

TOP ARM SPEED: 4.2 METERS / SEC
PAYLOAD: 20 KG MAX HEAD
RECALL: 0.05MM PRECISION
OPERATOR STABILIZER

Steadicam M-2 Volt

Motorized Horizon Stabilization

Modular sled system with Volt electronic horizon stabilization, lightweight G-70x arm, and dual-axis high brightness monitor bracket.

SYSTEM: VOLT GIMBAL MOTOR
VEST: FAWCETT EXOSKELETON
DYNAMIC: ZERO DRIFT HORIZON
3-AXIS GIMBAL // WHEELS

DJI Ronin 2 Cinema Package

Master Wheels & Ready Rig Pro

Heavy-lift motorized 3-axis stabilizer with Master Wheels wireless control console, high-torque brushless motors, and quick jib transitions.

PAYLOAD: 30 LBS (13.6 KG)
CONTROLS: 3-AXIS MASTER WHEELS
BATTERIES: HOT-SWAP TB50
HYDRAULIC & TRACK

Chapman Peewee & Dana Dolly

Studio Hydraulic Platform

Chapman Peewee IV hydraulic arm dolly for fluid camera pedestals, plus 24ft curved/straight precision track and Dana Dolly portable setups.

BOOM LIFT: HYDRAULIC NITROGEN
TRACK LENGTH: 64 FT DURA-TRACK
TIRES: PNEUMATIC & TRACK
SOFT LIGHT // COLOR

ARRI SkyPanel X & S360-C

Full-Spectrum RGBACL LED Engine

Massive soft wash output with IP66 all-weather ratings, wireless CRMX integration, and pixelated dynamic lighting effects control.

COLOR RANGE: 1,500K - 20,000K
CRI / TLCI: 99+ ACCURACY
CONTROL: WIRELESS CRMX / ART-NET
HARD POINT // PUNCH

Aputure Electro Storm CS15

1500W High-Output Point Source

Equivalent output to a 1.8K HMI or 4K tungsten fixture. Dual electronic accessory mount and liquid-cooling system for continuous burn.

OUTPUT: 1,500W DRAW
BEAM ANGLE: 20° / 35° / 50° REFLECTORS
MOUNT: A-MOUNT & BOWENS
PIXEL TUBES // BATTERY

Astera Titan & Helios Tubes

Wireless 16-Pixel RGBMintAmber

16 independent addressable pixels per tube, 20-hour internal battery runtime, and magnetic mounting brackets for tight practical placements.

INVENTORY: 16X TITAN, 8X HELIOS
RUNTIME: 20 HOURS INTERNAL
CONTROL: ASTERA APP / CRMX
RIGGING // DIFFUSION

Matthews Hollywood Grip Truck

Full 5-Ton Production Package

Complete inventory of C-stands, beefy babies, overhead 12x12 & 20x20 frames, Ultrabounce, silent grid cloths, and comprehensive rigging hardware.

FRAMES: 6x6, 8x8, 12x12, 20x20
STANDS: 40+ COMBO & C-STANDS
SAFETY: FULL OSHA COMPLIANT
Available with full crew or dry-hire to vetted production companies

Direct Stage Bookings & Cinema Packages

All cinema systems are calibrated prior to dispatch in our Brooklyn prep bay. We require a certificate of insurance (COI) naming Kinetix Vision as loss payee for dry-hire equipment leases.

DISPATCH CONSOLE REV 2025.2
STAGE AVAILABILITY: STAGE A: BOOKING Q3/Q4 STAGE B: SELECT DATES OPEN
PREP BAY HOURS: MON - FRI: 07:00 - 20:00 EST
INSURANCE REQUIREMENT: $1,000,000 RENTED GEAR COI
DIRECT BOOKING HOTLINE +1 (718) 555-0194